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They will chase you down like a horde of Usain Bolts. And, by the way, these walkers are friggin' running! And they turn really quickly! Thinks 28 Days Later or World War Z. Thankfully, several passengers are still thinking clearly.
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He makes full use of the confined spaces on the train, not only in building up and sustaining that sense of tinkle-in-the-pants panic but also in coming up with resourceful ways for the survivors to circumvent the walkers. What he does in ramping up the suspense is ridiculous. He draws fantastic performances from his cast. I can't believe this is the first live-action feature film Yeon Sang-ho has directed, but, apparently, he's more a veteran of anime cinema. I won't say too much about him, except I haven't hated a guy so much since Paul Reiser in Aliens. Standouts for me are the troubled father and daughter, the very pregnant wife (Jung Yu-mi) and her tough, working-class husband (Ma Dong-seok), and the selfish transportation CEO (Kim Eui-sung), this last guy gunning for the jackhole of the year award. The characters are interesting and fully-realized.
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And, for all the other reasons why this movie is so damn boss, it's absolutely the acting that makes us care about this movie.
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As the train barrels along on the first leg of its nightmarish ride, as it hurtles from the capital city of Seoul to the southern city of Busan, the camera gravitates towards the other passengers. Man, not even roadkill is safe in this movie. And, a bit later, maybe you blame the unobservant train attendant for allowing that one sickly-looking girl to sneak onboard. It's Su-an's birthday, and she guilt trips her dad into taking her on the bullet train so she could visit her mom in Busan. Follows a scene that demonstrates why it's a bonehead move to have your assistant buy the gift for your kid. Except Seok-woo is a bad father, one who neglects his kid, misses her recitals, forgets her birthday. I guess he does care for his elementary school daughter Su-an (Su-an Kim), enough that he's willing to fight his ex-wife for custody of her.
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Seok-woo (Gong Yoo) is a preoccupied fund manager. Focus is on the strained relationship between an inattentive father and his little girl. What's so tremendous about this movie is that it presents a strong emotional core. In a zombie setting, when you hear news of mysterious fish deaths at the reservoir or a "minor leak in the Biotech District," that's the cue to head for the hills. I don't see the sense in recreating what's already a masterpiece. American film studios are trying like mad to acquire the rights, and I hope they don't get them. Train to Busan murdered at the Asian box office. Any self-respecting gorehound will tell you some of the best horror movies are found overseas. You may not have heard of Train to Busan because it's a foreign movie, and some folks treat sub-titles like cooties. And yet, far and away, my favorite in this stretch of horror goodness is very much Train to Busan, a 2016 summer release. It's a mini-revival that seems to have kept on to 2017, what with the white-knuckler, Get Out, still snagging 100% on Rotten Tomatoes. 2016 was a banner year for horror cinema.